EN
Suara, meaning 'sound' and Anak, meaning children (both Indonesian words), forms the heart of my dedicated artistic project centered around children and young individuals. This format, particularly aimed at those from BIPOC and marginalized communities, expanding horizons beyond the confines of Western music and sound theory and encompasses a diverse range of workshops intertwined with the realm of sound : spanning from the self made musical instruments, immersive audio-visual experiences, until extended and longer workshop series that culminate in captivating performances and theater productions. The workshop´s emphasis lies in expanding horizons beyond the confines of Western music and sound theory, playground for experimentation, where the joy of discovery is as crucial as the process itself. Guided by the socially engaged art approach, I aim for participatory creation, fostering a connection between the project and its participants. Through this artistic journey, I harness the potency of sound as both a medium and a tool, igniting the artistic and imaginative prowess within the children. Beyond artistic exploration, this project also seeks to nurture empathy among the children, facilitating an understanding of contemporary societal and environmental issues.
DE
Suara, was "Klang" bedeutet, und Anak, was "Kinder" bedeutet (beides indonesische Wörter), bilden das Zentrum meines engagierten künstlerischen Projekts, das sich um Kinder und junge Menschen dreht. Dieses Format, das sich vor allem an Angehörige von BIPOC und marginalisierten Gemeinschaften richtet, erweitert den Horizont über die Grenzen der westlichen Musik- und Klangtheorie hinaus und umfasst ein vielfältiges Angebot an Workshops, die mit dem Bereich des Klangs verflochten sind: von selbstgebauten Musikinstrumenten über immersive audiovisuelle Erfahrungen bis hin zu ausgedehnten und längeren Workshop-Reihen, die in fesselnden Performances und Theaterproduktionen gipfeln. Der Schwerpunkt des Workshops liegt auf der Erweiterung des Horizonts jenseits der Grenzen der westlichen Musik- und Klangtheorie, einer Spielwiese für Experimente, bei denen die Freude am Entdecken ebenso wichtig ist wie der Prozess selbst. Geleitet vom Ansatz der sozial engagierten Kunst, strebe ich eine partizipatorische Kreation an, die eine Verbindung zwischen dem Projekt und seinen Teilnehmern herstellt. Auf dieser künstlerischen Reise mache ich mir die Kraft des Klangs als Medium und Werkzeug zunutze und wecke die künstlerischen und phantasievollen Fähigkeiten der Kinder. Über die künstlerische Erkundung hinaus soll dieses Projekt auch das Einfühlungsvermögen der Kinder fördern und ihnen ein Verständnis für aktuelle gesellschaftliche und ökologische Themen vermitteln.
some insights and examples
Field recording and sampling workshop
In collaboration with Nyabinghi Lab Berlin, Kunstraum Bethanien, January 2024
In collaboration with Nyabinghi Lab Berlin, Kunstraum Bethanien, January 2024
Sound synthesis and sampling workshop
In collaboration with The Nelson Mandela School, April 2024
In collaboration with The Nelson Mandela School, April 2024
experimental sound and visual workshop
(age 3-12)
in collaboration with Moving Poets e.V.
supported by BezirksamtTreptow-Köpenick
(age 3-12)
in collaboration with Moving Poets e.V.
supported by BezirksamtTreptow-Köpenick
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Sound, painting, and dance workshop for Ukraine Refugee
(age 3-8)
in collaboration with Playtronica and Uferstudios Berlin (2022)
Self-made instruments using found object from house to trash
(age 5-12)
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Visual experiment, inspired by Indonesian's Wayang Shadow Puppets.
(age 3-8)
(age 3-8)
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Visual experiment using instant photography technique
(age 3-8)
(age 3-8)
Visual experiment "painting with photo", using slow shutter technique
(age 3-8)
(age 3-8)
14 weeks workshop that leads to theater piece "SCARCITY"
(age 16-25)
in collaboration with Ballhaus Naunynstrasse Berlin, part of their Akademie der Autodidakt program. Dedicated to young individuals.
supported by Berliner Projektfonds Kulturelle Bildung
all photos by Wagner Carvalho
(age 16-25)
in collaboration with Ballhaus Naunynstrasse Berlin, part of their Akademie der Autodidakt program. Dedicated to young individuals.
supported by Berliner Projektfonds Kulturelle Bildung
all photos by Wagner Carvalho
Following the conclusion of GAUNG, an opportunity emerged from Ballhaus Naunynstrasse Akademie der Autodidakten, inviting the initiation of my directorial debut. This venture revolves around a concept I personally proposed, titled "Scarcity," set to premiere in 2023. The heart of this project, Scar-City, is an exploration led by a cohort of adept participants, delving into intricate themes encompassing affluence, compassion, recovery, and personal empowerment. The central focus lies on the intricate interplay between scarcity and its potential to fuel dominance.
The production actively challenges the conventional notion of limitless consumption, meticulously dissecting the boundary between necessities and aspirations, all while acknowledging the limitations of available resources. Employing an array of mediums including live performance, visual elements, and auditory components, the narrative that emerges is both engaging and poignant. Its core addresses prevailing social injustices and the enduring marks left on our society, particularly those stemming from the selective prioritization of certain segments' requisites.
The project's mission is to kindle empathy and instigate the healing process, underscoring the strength inherent in unity and the profound impact of individual expression as catalysts for constructive change. Through a collective effort, these essential inquiries are confronted: How can we effectively address these scars, and how do we nurture them toward recovery? The artistic odyssey embarked upon culminates in a mesmerizing depiction, capturing both personal and collective contentment. This illumination accentuates the crucial significance of tending to societal wounds, while actively steering toward a more compassionate and equitable world.
In its essence, Scar-City is a narrative steeped in optimism and metamorphosis, showcasing the influential potential of art to provoke introspection and galvanize societal advancement.
The production actively challenges the conventional notion of limitless consumption, meticulously dissecting the boundary between necessities and aspirations, all while acknowledging the limitations of available resources. Employing an array of mediums including live performance, visual elements, and auditory components, the narrative that emerges is both engaging and poignant. Its core addresses prevailing social injustices and the enduring marks left on our society, particularly those stemming from the selective prioritization of certain segments' requisites.
The project's mission is to kindle empathy and instigate the healing process, underscoring the strength inherent in unity and the profound impact of individual expression as catalysts for constructive change. Through a collective effort, these essential inquiries are confronted: How can we effectively address these scars, and how do we nurture them toward recovery? The artistic odyssey embarked upon culminates in a mesmerizing depiction, capturing both personal and collective contentment. This illumination accentuates the crucial significance of tending to societal wounds, while actively steering toward a more compassionate and equitable world.
In its essence, Scar-City is a narrative steeped in optimism and metamorphosis, showcasing the influential potential of art to provoke introspection and galvanize societal advancement.
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