By and with sōydivision
(Ariel William Orah, Asarela Orchidia Dewi, Umi Maisaroh, Dea Karina, Yusuf Al Azhar)
Installation premiered at Berlin Asian Art Festival 2023 at Moving Poets NOVILLA Gallery (15.09-08.10.2023)
First expanded performance 03.10.2023 by Ariel Orah, bela, Farah Hazim & Wissam
Second expanded performance 08.10.2023 by Umi Maisaroh at Novilla
Thrid expanded cinematic performance 08.10.2023 at Uferstudios Berlin in the framework of Wandering Salon unthaitheld (x) KAUM Festival 2023
Fourth expanded performance : Valby Kulturhaus, Copenhagen
Fourth coming : installation showcased along with The Roots of Our Hands Deep as Revolt: Entangled Colonialities of the Green
An exhibition by @nyabinghilab in cooperation with Kunstraum Kreuzberg/Bethanien, HAU Hebbel am Ufer (Berlin) and Chimurenga (Cape Town) funded by the German Federal Cultural Foundation (Dec-Jan 2023-2024)
"Akkulturasa" is a multimedia installation that encompasses audio, visual, and text elements. Over time, it has evolved into a performance series, offering a profound immersion into the collective art practices of the past five years. At its core, "Akkulturasa" explores the complex dynamics of acculturation, drawing inspiration from the exchange and fusion of cultural elements among diverse groups, ultimately reflecting the pressures and transformative power of this phenomenon. It is a testament to the collective's transformative journey as they navigate the complexities of cultural assimilation, adaptation, and exchange. Additionally, "rasa," a term inspired from the Indonesian language, adds depth to the title, encompassing not only emotional and aesthetic experiences but also referring to taste (sensory responses to neural stimuli, such as sweet, bitter, sour to the taste buds, or hot, cold, pain to the taste buds). This multifaceted interpretation invites viewers to explore the diverse "tastes" that emerge from the collective's engagement with various cultures, while also acknowledging the pressures and challenges that arise in the process. Through a mesmerizing fusion of audio, visual, and textual elements,
"Akkulturasa" invites viewers to delve into the profound impact of acculturation on the collective's artistic identity, all while illuminating the broader implications and intricacies of cultural exchange in our globally connected world. This on-going mutating pieces seamlessly melds retrospective introspection with forward-thinking speculation. By weaving the collective's historical experiences together with a conscious understanding of their evolution, it provides a platform for envisioning the future of socially engaged artistic practices, with a pronounced emphasis on addressing social and environmental injustices. It not only urges viewers to explore their own role in shaping this future but also nurtures a shared sense of imagination and eager anticipation for the ongoing development of the artistic collective.. It is a testament to the collective's transformative journey as they navigate the complexities of cultural assimilation, adaptation, and exchange. Additionally, "rasa," a term inspired from the Indonesian language, adds depth to the title, encompassing not only emotional and aesthetic experiences but also referring to taste (sensory responses to neural stimuli, such as sweet, bitter, sour to the taste buds, or hot, cold, pain to the taste buds). This multifaceted interpretation invites viewers to explore the diverse "tastes" that emerge from the collective's engagement with various cultures, while also acknowledging the pressures and challenges that arise in the process. Through a mesmerizing fusion of audio, visual, and textual elements,
"Akkulturasa" invites viewers to delve into the profound impact of acculturation on the collective's artistic identity, all while illuminating the broader implications and intricacies of cultural exchange in our globally connected world. This on-going mutating pieces seamlessly melds retrospective introspection with forward-thinking speculation. By weaving the collective's historical experiences together with a conscious understanding of their evolution, it provides a platform for envisioning the future of socially engaged artistic practices, with a pronounced emphasis on addressing social and environmental injustices. It not only urges viewers to explore their own role in shaping this future but also nurtures a shared sense of imagination and eager anticipation for the ongoing development of the artistic collective.
(Ariel William Orah, Asarela Orchidia Dewi, Umi Maisaroh, Dea Karina, Yusuf Al Azhar)
Installation premiered at Berlin Asian Art Festival 2023 at Moving Poets NOVILLA Gallery (15.09-08.10.2023)
First expanded performance 03.10.2023 by Ariel Orah, bela, Farah Hazim & Wissam
Second expanded performance 08.10.2023 by Umi Maisaroh at Novilla
Thrid expanded cinematic performance 08.10.2023 at Uferstudios Berlin in the framework of Wandering Salon unthaitheld (x) KAUM Festival 2023
Fourth expanded performance : Valby Kulturhaus, Copenhagen
Fourth coming : installation showcased along with The Roots of Our Hands Deep as Revolt: Entangled Colonialities of the Green
An exhibition by @nyabinghilab in cooperation with Kunstraum Kreuzberg/Bethanien, HAU Hebbel am Ufer (Berlin) and Chimurenga (Cape Town) funded by the German Federal Cultural Foundation (Dec-Jan 2023-2024)
"Akkulturasa" is a multimedia installation that encompasses audio, visual, and text elements. Over time, it has evolved into a performance series, offering a profound immersion into the collective art practices of the past five years. At its core, "Akkulturasa" explores the complex dynamics of acculturation, drawing inspiration from the exchange and fusion of cultural elements among diverse groups, ultimately reflecting the pressures and transformative power of this phenomenon. It is a testament to the collective's transformative journey as they navigate the complexities of cultural assimilation, adaptation, and exchange. Additionally, "rasa," a term inspired from the Indonesian language, adds depth to the title, encompassing not only emotional and aesthetic experiences but also referring to taste (sensory responses to neural stimuli, such as sweet, bitter, sour to the taste buds, or hot, cold, pain to the taste buds). This multifaceted interpretation invites viewers to explore the diverse "tastes" that emerge from the collective's engagement with various cultures, while also acknowledging the pressures and challenges that arise in the process. Through a mesmerizing fusion of audio, visual, and textual elements,
"Akkulturasa" invites viewers to delve into the profound impact of acculturation on the collective's artistic identity, all while illuminating the broader implications and intricacies of cultural exchange in our globally connected world. This on-going mutating pieces seamlessly melds retrospective introspection with forward-thinking speculation. By weaving the collective's historical experiences together with a conscious understanding of their evolution, it provides a platform for envisioning the future of socially engaged artistic practices, with a pronounced emphasis on addressing social and environmental injustices. It not only urges viewers to explore their own role in shaping this future but also nurtures a shared sense of imagination and eager anticipation for the ongoing development of the artistic collective.. It is a testament to the collective's transformative journey as they navigate the complexities of cultural assimilation, adaptation, and exchange. Additionally, "rasa," a term inspired from the Indonesian language, adds depth to the title, encompassing not only emotional and aesthetic experiences but also referring to taste (sensory responses to neural stimuli, such as sweet, bitter, sour to the taste buds, or hot, cold, pain to the taste buds). This multifaceted interpretation invites viewers to explore the diverse "tastes" that emerge from the collective's engagement with various cultures, while also acknowledging the pressures and challenges that arise in the process. Through a mesmerizing fusion of audio, visual, and textual elements,
"Akkulturasa" invites viewers to delve into the profound impact of acculturation on the collective's artistic identity, all while illuminating the broader implications and intricacies of cultural exchange in our globally connected world. This on-going mutating pieces seamlessly melds retrospective introspection with forward-thinking speculation. By weaving the collective's historical experiences together with a conscious understanding of their evolution, it provides a platform for envisioning the future of socially engaged artistic practices, with a pronounced emphasis on addressing social and environmental injustices. It not only urges viewers to explore their own role in shaping this future but also nurtures a shared sense of imagination and eager anticipation for the ongoing development of the artistic collective.
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